Leather Bound Books
Leather Bound Books Background
天天看高清影视在线观看Because it is easy to die, calfskin is a favorite leather of bookbinders. It also can be used to create tree-trunk and other woodgrain effects. Levant leather, made from goatskin, is usually identified as Moroccan leather. Sealskin, which results in a shiny look to the cover, is another option. The leather is only one consideration in acquiring leather-covered books.
Many leather-covered books contain elaborate decorations on the leather. Coats of arms, elaborate gilding, and using dyes to create a sprinkled effect enhance a book’s presentation.
Relievo binding is used to describe a deeply embossed tooling technique. A two-tone leather cover is known as a Cambridge. An Etruscan binding has been acid etched and usually features a central panel surrounded by a decorative border.
Private presses, such as Kelmscott Press (established by William Morris in 1891) and Roycroft Press (inspired by Elbert Hubbard) are famous for their leather bindings. In the 1920s and 1930s, Golden Cockerel Press in the United Kingdom hired Sangorski & Sutcliffe to leather-bound several titles. Caxton Press of Idaho published a number of very small editions, some as few as 10 copies, of signed Morocco-leather Vardis Fisher books.
More recently Easton Press and Gryphon Editions have produced leather-bound copies of many contemporary authors. In the 1970s and 1980s, the Franklin Mint’s Franklin Library division mass-marketed The 100 Greatest Books of All Times and Pulitzer Price Classic sets.
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What to Look For
Leather bound books are collected for a variety of reasons – aesthetics of the binding, decorative objects, or a leather-bound version of a favorite title. Collectors also recognize there is something special about the feel, look, and smell of leather.
Many leather book collectors begin their leather-bound book collections with modern leather-bound titles produced by Easton Press and Gryphon Editions. As they become more advanced collectors, they turn their attention to titles from the 19th through the mid-20th century.
Leather bound volumes often are offered in large lots at book auctions. Although appearing attractive in price, many of the volumes do not meet the advance condition criteria of most collectors.
Advanced leather-bound book collectors often limit their collections to leather-bound books dating from 1450 to 1925. They view modern leather-bound material as too commercial and with an unproved secondary long-term market value.
Collectors of leather-bound books must pay attention to storage and other issues to insure the long-term future of their collections. Leather-bound books must be stored in a clean, cool, non-humid, stable environment. Direct sunlight which can dull colors and fade leather, must be avoided. Leather-bound volumes need to be stored upright.
Advance book collectors view leather-bound books as investments. To achieve investment value, a leather-bound book must be in fine or better condition, complete, date between 1850 and 1930, and written in English (unless the person is a very advanced collector),
In addition to leather, a wide variety of other materials were used to bind books. These include abalone, brass, bronze, gutta percha, ivory, mother of pearl, papiere mache, silk, silver, tortoise shell, vellum, wood, and more. These binding types also attract book collectors.
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Leather Bound Books Antique Marks
The name of the book binder usually is unknown. Experts can identify some binders based upon their continued use of certain designs and techniques.
Press such as Golden Cockerel, Kelmscott, and Roycroft known for quality leather-bound volumes are identified on the spine or copyright page.
Identify your Leather Bound Books Marks.